Papay Solomon (b. 1993, Guinea of Liberian descent; lives and works in Phoenix, AZ) Liberian-American artist Papay Solomon lives between two worlds: his adopted home in America and that of his African heritage. His work boldly attempts to reconcile the two with an artistic vision enhanced by his formal education in the West and at the same time wildly alive with the indelible imprint of his home country. Solomon paints hyperrealist figures, with traces of non finito and color field qualities, to amplify stories and experiences of the African diaspora. With this approach to the figurative tradition Solomon attentively renders his sitters with dignity, complexity, and beauty. Faces of African immigrants are meticulously imbued with reverence that echoes the grandeur of Renaissance and Baroque portraiture. In doing so, Solomon invigorates the structures and techniques of Western art with an African soul. Born in Guinea in 1993, Solomon’s mother fled the First Liberian Civil War while she was still pregnant with him and crossed into the neighboring country on foot. At age 5, growing political unrest in the Guinean city of Gueckedou forced Solomon and his family to again relocate hundreds of miles away to refugee camps, where he would spend much of his childhood. At 14, Solomon resettled with his family in the United States, where he attended high school and the Herberger Institute of Design and the Arts at Arizona State University, graduating with a BFA and being awarded Outstanding Undergraduate in 2018. Solomon received the 2018 Friends of Contemporary Art Artists’ Grants Award from the Phoenix Art Museum and the Erni Cabat Award from the Tucson Museum of Art.
Family Album I (2019)
mixed media, acrylics, graphite, charcoal, pastel and fabric on grey toned paper and panel, 15x35 in
There’s Nothing Dreadful About This Crown (2019)
portrait of Fiston Dimanche Ndarabu Buhendwa - Congo, oil on linen, 60x60 in
If You Can’t Remember, it’s Not Important (2019)
portrait of Sureya Mardaadi - Somalia, oil and pastel on belgian linen, 45x80 in
The Black Boy who Wears White Skin (2020)
portrait of Yaya Simeon Edamivoh - Nigeria, oil on linen, 45x80 in
Family Album II (2019)
mixed media, acrylics, graphite, charcoal, pastel and fabric on grey toned paper and panel, 15x35 in
In the Likeness of the Foremothers (2019)
portrait of Vanessa Iriza - Rwanda, oil and graphite on canvas and mirror, 36x36 in
HEAVY(WEIGHT) (2019)
portrait of Benjamin Gasinga Gaspard - Rwanda (born in DR Congo), oil on belgian linen, 45x80 in
Unapologetically African (2020)
portrait of Bocar Gueye - Senegal, oil and pastel on linen, 40x90 in